- About Ateneum
Finnish composers Jean Sibelius and Armas Järnefelt both lived and worked by Lake Tuusula. While their eyes were on the major metropolises of Europe, they also picked up influences from neighbouring countries. Järnefelt served as an orchestra conductor in Stockholm, while the young Sibelius was inspired by Tchaikovsky and Grieg in finding a new nationalistic style.
Grieg: Sonata nr 3 in c minor for violin and piano
Tchaikovsky: Piano Trio in A minor, Op. 50
Musicians: Alasdair Beatson - Pia Freund - Markus Hohti - Emil Holmström - Atte Kilpeläinen - Eriikka Maalismaa - Gordan Nikolić - Christoffer Sundqvist - Jan Söderblom
Tickets (including delivery): 11.50 €/22.50 €/ 24.50 €/ 27.50 € from Lippupalvelu. www.lippupalvelu.fi
Discount with S Bonus Card: 3 € off full entrance fee.
Festival tickets include entrance to the museum on the day of the concert.
The Ristiveto Festival at Ateneum Art Museum on 11-13 October will present classic works of Late Romanticism and Early Modernism in a fresh way and with old instruments. Grand pianos from the early 20th century and string instruments strung with gut will transport listeners closer to the original and fascinating soundscape of the artwork. The concerts will be held in the exhibition halls, and the themes will be connected to the new exhibition opening on the same weekend, “On the Shores of the Lake”, which presents the Tuusula artist community. The festival will feature top Finnish and international artists, whose repertoire will include chamber music by Sibelius, Tchaikovsky, Webern and Dvorák.
The winds of National Romanticism arrived on Finland’s shores in the 1890s and inspired young contemporary artists to escape the city and set up their ateliers and homes in the Finnish nature by Lake Tuusula. They wanted to merge the culture and traditions of their own people with the wider European tradition and to create art that would be independent and original, yet also internationally credible and respectable. Among composers, similar movements were underway in other areas on the fringes of the Central European cultural tradition, such as Scandinavia, Eastern Europe and surprisingly also the British Isles.
The Les Six Group and the Second Viennese School are also featured in the festival programme. Defined groupings of composers have been relatively rare, and they have seldom been particularly active or long lasting. All the more important were the friendships among artists who shared an affinity with each other, enjoying the dialogue between colleagues and art forms and sensing the spirit of the times. Examples of this include Mahler’s contacts with contemporary authors and painters, as well as the collaboration and friendship between Brahms and Schumann. The music to be performed at the Ristiveto Festival was composed between the 1850s and 1930s and prefigured the spread of music to countless new genres via Late Romanticism, Folk Romanticism and Expressionism.